![]() Now that your music theory knowledge is expanding, you can see that each note in a key occupies a specific scale position. In this example, we go with flats because we don't want both an A and an A# in the scale.įree Song Lessons Access 4+ Free Tutorials Music Transposition Let's try the key of F and see how the flats come into play. If we used flats instead of sharps, we would have D E Gb G A B Db D which would give us doubles of D and G while depriving us of F and C's lovely company. That's because we want a representation of every letter in each key. You'll notice we use the sharp (#) designation instead of the flat (b). You simply apply your major scale pattern. Okay, the key of C is easy because there are no sharps or flats, but every other key is just as easy. Seriously, hover over it while saying the steps out loud.I'll wait. If you do it right, your 1 and 8 will be the same note. E to F is a half step.whole step, whole step, whole step, half step. So, if you want notes in the key of C, you start your 1 on a C like so. To find what notes are in one key you simply apply the major scale pattern to the alphabet, making sure you start on the root of the key. "Whole step, whole step, half step, whole step, whole step, whole step, half step" Defining the Key ![]() ![]() "Whole step, whole step, half step, whole step, whole step, whole step, half step" Go ahead and read that out loud a few times. All it is is a fixed pattern of Whole steps and Half steps that never changes it's ALWAYS the same. The major scale is the basis of all western music and it's how we define what notes belong in what key. Free Song Lessons Access 4+ Free Tutorials The Major Scale ![]()
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